当代立体漆艺的创作类型及其价值构建  

The creative types and value construction of contemporary three-dimensional lacquer

作　　者：龚晓田[1] GONG Xiao-tian

机构地区：[1]闽江学院美术学院,福建福州350108

出　　处：《中国生漆》2023年第4期34-38,共5页Journal of Chinese Lacquer

摘　　要：传统漆工艺是一种具体的生产技艺,也是一种作为“非物质文化遗产”的传统手工艺,更是一种表达当代艺术观念的“艺术媒材”。当代立体漆艺是由“大漆(材料+工艺)”、“立体造型”和“艺术(形式+理念)”三大要素构成,并可归为漆器、漆塑与漆立体三大类型,因其不同的文化身份形成各自的价值指向。立体漆艺创作主要从“器用与器形”、“图式融合与图像置入”和“传统大漆工艺与当代艺术观念”三大问题衍生而来,漆艺的艺术化与器用功能并不矛盾,图式融合是立体漆艺创新发展的必要方式;立体漆艺中的图像与造型之间存在“并置”与“共生”关系,现代艺术“弱技艺”“强观念”的发展方向将影响漆艺文化与艺术的价值构建。Chinese traditional lacquer craft is a specific production technique,a traditional handcraft honored as an“intangible cultural heritage,”and an“art medium”expressing contemporary art ideas.Contemporary three-dimensional lacquer has three main factors that are“lacquer(material and craft),”“three-dimensional modeling,”and“art(form and idea)”and is categorized into lacquerware,lacquer sculpture,and three-dimensional lacquer,forming its respective value orientation by its different cultural identity.Three-dimensional lacquer craft creation mainly derives from the three issues of“utility and shape,”“schema integration and image placement,”and“traditional lacquer craft and contemporary art idea.”The artistry and utility of lacquer craft are consistent.Schema integration is essential for the innovative development of three-dimensional lacquer craft,in which the image and modeling are in the relationship of“juxtaposition”and“symbiosis.”The development direction of“weakening the craft”and“strengthening the idea”in modern art will influence the value construction of lacquer culture and art.

关 键 词：中国漆艺 立体漆艺 创作思路 价值构建 

分 类 号：TS959.3[轻工技术与工程] J527[艺术—艺术设计]