中国现代漆画之父乔十光艺术思想探析——中国近现代设计教育先行者研究系列  

An Analysis of Qiao Shiguang's Artistic Thought,the Father of Modern Chinese Lacquer Painting

作　　者：陈晶[1] 吴卫[2] CEHN Jing;WU Wei

机构地区：[1]闽江学院美术学院,福建福州350018 [2]湖南师范大学美术学院,湖南长沙410012

出　　处：《中国生漆》2023年第4期53-58,共6页Journal of Chinese Lacquer

基　　金：国家社科基金艺术学项目“中国近现代设计教育先行者研究(1911-2011)”(21BG120)阶段性研究成果

摘　　要：探究中国现代漆画之父乔十光的艺术思想,为中国现代漆画发展提供启示。通过“史”“评”结合的方法并阅读了大量的相关文献,回顾乔十光的漆画艺术成长轨迹,以“‘画化’装饰:从自然形态到艺术形态”“‘漆化’思维:从漆艺技法到漆画语言”“‘诗化’意境:从装饰表现到写意抽象”三个维度探究其艺术思想。乔十光开拓了一条独具中国特色的创造性传承与发展的现代漆画道路,将民族性、装饰性与漆画的本体语言相结合,呈现出具有鲜明时代特色的民族装饰风格绘画样式,开创了民族艺术创新发展的新范式,形成了中国现代漆画表现的新形式。Exploring the artistic ideas of Qiao Shiguang,the father of modern Chinese lacquer paintingaims to providing inspiration for the development of modern Chinese lacquer painting. By combining themethods of“history”and“evaluation”and reading a large number of relevant literature,Qiao Shiguang’sgrowth trajectory of lacquer painting art is reviewed,and his artistic ideas are explored from threedimensions: “pictorial decoration: from natural form to artistic form”,“lacquer thinking: from lacquer arttechniques to lacquer painting language”,and “poetic artistic conception: from decorative expression tofreehand abstract”.Qiao Shiguang has built a unique path of creative inheritance and development in modernlacquer painting with Chinese characteristics,combining ethnic and decorative elements with the language oflacquer painting,presenting a distinctive ethnic decorative style painting style with distinctive characteristicsof the times,creating a new paradigm for innovative development of ethnic art,and forming a new form ofexpression in modern Chinese lacquer painting.

关 键 词：乔十光 现代漆画 艺术思想 “画化”装饰 “漆化”思维 “诗化”意境 

分 类 号：J213.9[艺术—美术] K825.72[历史地理—历史学]