以“实验”的名义:实验动画的概念与范式  

In the Name of"Experiment":The Concept and Paradigm of Experimental Animation

作　　者：许翔[1] XU Xiang(School of Media,Nanjing University of the Arts,Nanjing,Jiangsu 210013)

机构地区：[1]南京艺术学院传媒学院,江苏南京210013

出　　处：《艺术百家》2023年第6期107-113,共7页Hundred Schools In Arts

基　　金：2022年度南京艺术学院研究生教育教学改革课题“艺术教育语境下‘实验影像’教学模式探索”(项目编号:XJJG22-B008)阶段性成果之一。

摘　　要：由于实验动画的综合性与艺术性,学界对这一概念的认知有些模糊。文章基于相关学者对实验动画概念的描述,阐述了实验动画的艺术特征,并界定了实验动画的艺术范式,以期在实验动画与交叉艺术门类的比对中厘清实验动画的认知误区。Due to the comprehensive and artistic nature of experimental animation,there has always been a certain de-gree of ambiguity in academia regarding its concept.Therefore,based on the collation of various scholars'different conceptual descriptions,this article elaborates on the artistic features of experimental animation.It also discusses the issue of the artistic paradigm of experimental animation,aiming to clarify misconceptions about its concept and its comparison with the essence and types of other intersecting artistic disciplines.

关 键 词：实验动画 概念 范式 

分 类 号：J802[艺术—戏剧戏曲]