马一浮《兰亭序》题跋所表现的书学观  

The Calligraphy Concept in Ma Yifu's Orchid Pavilion Preface

作　　者：叶子衿 YE Zi-jin(Academyof FineArts,NanjingUniversity of the Arts,Nanjing,Jiangsu 210009)

机构地区：[1]南京艺术学院美术学院,江苏南京210009

出　　处：《艺术百家》2023年第6期129-133,155,共6页Hundred Schools In Arts

摘　　要：马一浮的多篇《兰亭序》题跋,对书学有着独特的阐发和新颖的见解,丰富和发展了“兰亭学”,值得研究和重视。论文从文化学、金石学和艺术美学的角度探究马一浮的书学观,从另一个维度窥视马一浮的学术世界。Ma Yifu's many inscriptions of the Preface to the Orchid Pavilion have unique analysis and novel insights on calligraphy,which enrich and develop the"Study of the Orchid Pavilion",which is worthy of research and attention.This paper explores Ma Yifu's view of calligraphy from the perspectives of culture,stone science and artistic aesthetics,and looks into Ma Yifu's academic world from another dimension.

关 键 词：马一浮 《兰亭序》 题跋 书法观念 

分 类 号：J802[艺术—戏剧戏曲]