从《流浪地球2》中MOSS的媒介隐喻探析媒介认知构型的演进  

作　　者：孟正皓 鲍远福 

机构地区：[1]贵州民族大学传媒学院 [2]贵州民族大学

出　　处：《北京文化创意》2023年第6期38-43,共6页Beijing Culture Creativity

摘　　要：当今社会,媒介深度参与到社会文化的底层建构中,人对于媒介的认知直接影响着社会发展的动向和对世界认知的图景。人以何种方式认知并处置其周围的媒介,媒介就会以何种方式影响并反馈至人的生活,媒介本身这种“能动性”的来源值得探析。《流浪地球2》电影中的人工智能MOSS形象体现出现代社会中技术物与符号物的两种常见媒介认知构型。这两种认知构型分别以硬件和软件的形式参与到MOSS的形象刻画中,并在软件和硬件的“碰撞”中催生出“涌现性的媒介”这一新的认知构型。涌现性解答了媒介的能动性来源,也让MOSS满足了观众对深度科幻性的审美想象。唯有将媒介视作具有自身可以涌现出能动性的物,才能在对媒介的深度认知中,理解人类自身已然被深度媒介化的生存境遇。In today's society,the media are involved in the underlying social and cultural constructs,and people's perceptions of the media have a direct impact on the movement of social development and the cognitive picture of the world.In what way people perceive and deal with the media around them,the media will influence and feed back into their lives.The medium itself is an object,and the source of this"agency"deserves to be explored.The image of the artificial intelligence MOsS in the Wandering Earth 2 exemplifies two common cognitive configurations of the medium as a technological and symbolic object in modern society.These two cognitive configurations are involved in the portrayal of MOsS in the form of hardware and software respectively,and in the"collision"between software and hardware,a new cognitive configuration of"emergent medium"is born.Emergence answers the question of where the medium's dynamism comes from,and allows MOsS to satisfy the audience's aesthetic imagination of deep science fiction.Only by considering the medium as an object with its own agency can we understand the deeply mediated existence of human beings through a deeper cognition of the medium.

关 键 词：流浪地球2 媒介认知 能动性 涌现性 

分 类 号：G63[文化科学—教育学]