肌理语言和表现形式在青花瓷画上的运用  

The Application of Blue and White Texture Language and Expression Form in Porcelain Painting

作　　者：刘林暖 Liu Linnuan(Jingdezhen Ceramic University,Jingdezhen,333403)

机构地区：[1]景德镇陶瓷大学,景德镇333403

出　　处：《陶瓷研究》2023年第6期117-119,共3页Ceramic Studies

摘　　要：陶瓷文化是中国的传统文化,青花艺术在陶瓷文化中占有重要位置。一千多年来,青花艺术以其独特的艺术语言和表现形式通过不断的创新、完善、发展、提升,并将传统的青花艺术传承下去,又融合当今的美学理念继往开来。使得陶瓷文化在发展中创新,进一步提高青花在陶瓷文化中的占比。Ceramic culture is the traditional culture of China.Blue and white art occupies an important position in ceramic culture.For more than one thousand years,blue and white art has been continuously innovating,improving,developing and improving with its unique artistic language and expression form,and inheriting the traditional blue and white art,and integrating the current aesthetic concept to carry on the past and open up the future.Make ceramic culture in the development of innovation,further improve the proportion of blue and white in ceramic culture.

关 键 词：青花 肌理语言 表现技法 发展创新 

分 类 号：J527[艺术—艺术设计]