《雅歌》的释经传统与克拉肖的巴罗克诗歌  

The Exegesis Tradition of The Song of Songs and Richard Crashaw’s Baroque Poem

作　　者：郑怡[1] Zheng Yi(University of Electronic Science and Technology of China,Chengdu,611731,China)

机构地区：[1]电子科技大学,成都611731

出　　处：《语言与文化研究》2024年第1期169-171,共3页Language and Culture Research

摘　　要：理查德·克拉肖是17世纪英国文坛的一位宗教诗人。他的巴罗克诗歌“献给圣·特雷莎的赞美诗(The Hymn to St.Teresa)”中流露出的宗教情感与《雅歌》的释经传统有着渊源关系:特雷莎通过殉道的“身体之爱”与天使之箭的“精神之爱”与基督达到了《雅歌》中新郎与新妇的完美和一。诗人也借此表达了内心那殷切祀奉上帝﹑进入天堂的向往之情。Richard Crashaw is a religious poet in 17th century English literature.The religious feelings expressed in his Baroque poem“The Hymn to St.Teresa”shows close relationships with the exegesis tradition of The Song of Songs.St.Teresa fulfills the Bride and the Bridegroom’s unition in The Song of Songs through her martyrdom and the“spiritual love”given by the angle’s sword.Therefore,this poem shows Richard Crashaw’s strong desire of going into the heaven and serving God.

关 键 词：理查德·克拉肖 《雅歌》 完美和一 释经传统 

分 类 号：I20[文学—中国文学]