霍夫斯泰德文化维度理论下的中美差异探究——以《流浪地球2》和《星际穿越》为例  

A Study on the China-US Differences with Hofstede’s Cultural Dimensions Theory:Based on The Wandering Earth II and Interstellar

作　　者：王乐[1] Wang Le(Northwest University,Xi’an,710127,China)

机构地区：[1]西北大学,西安710127

出　　处：《语言与文化研究》2024年第1期187-190,共4页Language and Culture Research

摘　　要：电影作为人类文化生活中重要的精神产物,必定会受到创作者世界观、人生观、价值观的影响,进而展现其背后的民族与文化差异。长期以来,科幻题材因情节独特、创作难度大、人文情怀丰富而备受关注。本文以霍夫斯泰德文化维度理论为理论框架,提取电影《流浪地球2》及《星际穿越》中的经典话语与文化现象,探究中美科幻电影中的文化差异及其深层原因,以期促进大众对不同文化的客观认识,并对文化电影的制作有所启发。Film,as a product of human life spiritually and culturally,ought to be the output of creator’s three perspectives,which lead to their national and cultural differences.For a long time,science-fiction has attracted much attention because of its unique plot,high difficulty and rich humanity.Guided by Hofstede’s cultural dimensions theory,this paper examines the cultural differences and causes contained in Chinese and American sci-fi films by selecting and analyzing the classical discourses and cultural phenomena in The Wandering Earth II and Interstellar,in an attempt to promote people’s objectiveness and acceptance towards different culture as well as the cultural film production.

关 键 词：霍夫斯泰德文化维度理论 《流浪地球2》 《星际穿越》 中美文化差异 

分 类 号：G63[文化科学—教育学]