城市电子影像的共同体叙事及其可见性生产  

The Community Narrative of the Urban Electronic Image and Its Visibility Production

作　　者：李文甫 LI Wen-fu(School of Communication,Yangtze Normal University,Chongqing 408100,China)

机构地区：[1]长江师范学院传媒学院,重庆408100

出　　处：《编辑之友》2024年第2期68-74,共7页Editorial Friend

基　　金：2018年度重庆市社会科学规划项目“重庆城市空间传播与城市形象构建研究”(2018QNCB48);2021年度重庆市教委人文社会科学项目“当代中国电影的红色记忆研究”(21SKGH233)。

摘　　要：城市电子影像作为人类对光影关系持续探索的最大规模实践,体现了人类寻找特定事物可见性的努力,成为现代民族国家的共同体叙事获得高可见性的理想媒介。其在色彩选择、秩序整合等共同体审美形态中,以象征生产、空间生产表述了共同体记忆,进而通过情动体验、互动仪式激发为共同体情感,最终聚合为人们的共同体认同。共同体叙事的可见性得以凸显并生成可见的共同体,这是安德森“想象的共同体”论断的进一步延伸。共同体叙事对城市电子影像的征用,是对大众注意力在公共空间的重新分配,使其成为露天电影之后,又一种在公共空间大规模组织集体观看的影像媒介。As the largest scale practice of human's continuous exploration of the relationship between light and shadow,urban electronic images reflect human's efforts to explore the visibility of specific things and become an ideal medium for the community narrative of modern nation states to obtain high visibility.In the aesthetic forms of the community such as color selection and order integration,it expresses the community memory by symbolic production and spatial production,which has not only stimulated community emotion through emotional experience and interactive ceremony,but also aggregated into people's community identity.The visibility of community narrative is fully highlighted and a visible community is generated,which is a further extension of Anderson's theory of"imaginary community".The expropriation of urban electronic images by community narrative is another largescale political mobilization public media after the mass attention is reorganized in public space,making it an open-air film.

关 键 词：城市电子影像 共同体 可见性 

分 类 号：G206[文化科学—传播学]