民族意识的声音传达:中国早期发声电影的国家观念建构  

The Sound Transmission of National Consciousness:The Construction of National Ideas in Early Chinese Sound Films

作　　者：李晓红[1] 张仕林 LI Xiao-hong;ZHANG Shi-lin(School of Film,Xiamen University,Xiamen 361005,China)

机构地区：[1]厦门大学电影学院,福建厦门361005

出　　处：《编辑之友》2024年第2期87-94,共8页Editorial Friend

摘　　要：有声电影尚未传入时,其技术与理念便在中国产生了反响。青年会外籍干事在众多城市的有声电影演讲及商业影院外国有声电影放映逐渐普及,有声片中的民族语言问题逐渐提上议程。在基于国语的有声电影创作实践中,左翼电影人发挥了积极作用,与同时期的国语教育运动共同成为语言现代化、大众化的重要组成部分。国语片与方言电影的冲突实际反映的是近现代中国电影民族性、国际性、地方性间的矛盾,此问题的解决成为国语占据有声电影主导权并构建民族国家观念的过程与结果。When sound film had not yet been introduced,its technology and concept had produced a response in China.The sound film speeches of Youth Association foreign officers in many cities and the screening of foreign sound films in commercial theaters were becoming more and more popular,and the issue of national language in sound films was gradually put on the agenda.Left-wing filmmakers had played an active role in the creation of mandarin Chinese-based sound flms,which together with the Mandarin Chinese education movement of the same period constituted an important component of language modernization and popularization.The conflict between Chinese sound film and dialect film actually reflected the contradiction between national character,international character and local character of modern Chinese flm.The solution to this problem became the process and result for Chinese language occupying the dominant position of sound film and constructing the national concept in the period of the Republic of China.

关 键 词：中国早期电影 有声电影 国语教育 民族国家观念 左翼电影 

分 类 号：G206[文化科学—传播学]