“风骚精神”中“以悲为美”的审美倾向探析  

An Analysis of the Aesthetic Tendency of"the Beauty of Sorrow"in the Spirit of Fengsao and

作　　者：邹陈舒怡 Zou Chen Shuyi(Nanjing Normal University,Nanjing,Jiangsu 210000,China)

机构地区：[1]南京师范大学,南京210000

出　　处：《柳州职业技术学院学报》2023年第6期92-96,共5页Journal of Liuzhou Vocational & Technical College

摘　　要：《诗经》中的十五国风多表现哀情,《离骚》继承了这种情感表达上的倾向,并进一步具体化,使之成为后世文学中一种确定的思想主题,即士大夫思君忧时,虽百般罹怨,仍“九死而不悔”,这就是“风骚精神”,其内涵包括怨刺传统以及生命自觉的忧患意识。这些精神内涵决定了“以悲为美”的美学特色,在艺术表达上回环起伏、绝无直露,起着消减哀感的作用。“风骚精神”与“以悲为美”的审美倾向,二者的关系是相互成就的。The poems of the Fifteen Kingdoms in the Book of Songs often express sadness,and Lisao inherits this tendency in emotional expression and further concertizes it,making it a definite ideological theme in later literature,that is,when literati worry about the kingdom,although they suffer from various grievances,they still"die nine times without regret".This is"the spirit of Fengsao",which includes the tradition of resentment and thorns as well as the consciousness of hardship.These spiritual connotations determine the aesthetic characteristic of"the beauty of sorrow",which fluctuates and never reveals itself in artistic expression,playing a role in reducing sadness.The relationship between the aesthetic concepts of"literary excellence"and"the Beauty of sorrow"is mutually fulfilling.

关 键 词：《诗经》 《离骚》 “以悲为美” 忧患意识 

分 类 号：I207.222[文学—中国文学]