哥特之外的另一副面相——英国如画美学与爱伦·坡小说的风景审美  

Another Face Behind the Gothic: 18th-Century British Aesthetics and the Landscape Representation of Poe’s Short Stories

作　　者：毛凌滢[1] MAO Lingying

机构地区：[1]重庆大学外国语学院

出　　处：《国外文学》2023年第4期10-21,共12页Foreign Literatures

基　　金：国家社科基金重点项目“如画美学与18、19世纪英美文学思潮的关系研究”(项目编号:23AWW006)的阶段性成果。

摘　　要：本文立足爱伦·坡创作时代的美学与文化语境,以坡的自然风景类短篇小说为考察对象,从历时性与共时性角度探讨18世纪英国美学特别是如画美学对坡的自然审美与风景再现的影响,揭示坡对如画美学的本土化吸收和个性化发展,以及坡在哥特式恐怖、忧郁以及冷漠笔调背后的另一幅面相,那就是融崇高、优美、如画为一体、融诗歌、绘画、建筑、园林设计为一体、融自然与艺术创造为一体的审美理想以及天人合一的浪漫情怀。Based on the aesthetics and cultural context of Edgar Allan Poe's era,the paper intends to explore the influence of British aesthetics in the 18th century,especially the theory of the picturesque on Poe's landscape representation.The paper aims to reveal Poe's individuation and localized absorption of the picturesque theory and another face of Poe behind Gothic horror,melancholy,and indifference——his aesthetic pursuit of integrating the sublime,the beautiful,the picturesque scenery,poetry,painting,architecture and garden design,as well as the combination of nature and artistic creation as one and the romantic feelings of the unity of nature and man.

关 键 词：爱伦·坡 风景叙事 如画美学 

分 类 号：I712.074[文学—其他各国文学]