三维高清数字技术语境下中国水墨动画的创作路径与发展探索——以《秋实》为例  

Exploration of the Creation Approach and Development of Chinese Ink Animation in the Context of 3D High Definition Digital Technology:Take Harvest as an Example

作　　者：许绩尧 Xu Jiyao(Beijing Film Academy,Beijing 100088,China)

机构地区：[1]北京电影学院,北京100088

出　　处：《艺术与设计（理论版）》2024年第1期89-92,共4页Art and Design

摘　　要：水墨动画是在动画艺术层面对中国水墨绘画进行的继承和发展,蕴含着中国历史悠久的传统艺术思想与和谐共生的美学观念。伴随着数字技术的飞速发展,越来越多的动画艺术工作者开始在数字技术与水墨动画相结合的创作实践道路上进行探索。二者融合的前提是如何合理有效的保留传统水墨风格意蕴的基础上借助数字技术进行艺术创新。文章以《秋实》为例,对三维高清数字技术语境下水墨动画的传承与创新进行了分析与研究。水墨动画的成功不应凝固在过去,它作为一种中国标志性的动画艺术形式更要始终保持鲜活的流动性。Water-ink animation combines traditional Chinese painting with animation art form,and applies the shade of ink to modeling performance.The background space of classic water-ink animation is often displayed by"blank-leaving",showing a kind of"unplottable"charm,from which we can see the beauty of the layout of traditional Chinese paintings.At the same time,the dialogue part of the work also adopts the"blank-leaving"processing,and the music design is also emphasized on the"natural without carving".The work contains a quiet,ethereal and clear artistic conception,reflecting a kind of philosophical thinking and waits for the audience to understand.

关 键 词：水墨动画 数字技术 传承 创新 

分 类 号：J[艺术]