巧“理”·巧“技”·巧“艺”:中山国造物艺术与《考工记》的三重关联  

Principles, Techniques, and Skills: Triple Relationshipsof Zhongshan State’s Art of Artifacts with Kao Gong Ji

作　　者：曾维林 魏容[2] ZENG Wei-lin;WEI Rong

机构地区：[1]东南大学艺术学院 [2]河北美术学院

出　　处：《河北学刊》2024年第2期218-224,共7页Hebei Academic Journal

基　　金：2023年度河北省高等学校人文社会科学研究项目“清代著录中书法文献史料辑佚整理与研究”(SQ2023157)。

摘　　要：战国中山国王陵的发掘是河北乃至整个中国考古界的重大发现,发掘出土的大量珍贵文物沉淀着2000多年历史文化,也蕴含着鬼斧神工的造物艺术。中山国造物艺术与《考工记》同属先秦文化范畴。通过文献与出土文物分析,并对比《考工记》的造物与艺术设计思想,可以发现中山国造物艺术与《考工记》之巧“理”、巧“技”、巧“艺”的关联性。其具体体现在创与制的造物理论、关联道与器的技术、器物的文化与审美三个方面。探讨中山国造物艺术与《考工记》之间关系,有助于传承古代人工造物的创作智慧与文化品质,提供可资借鉴的设计思想和艺术元素,以为当代造物艺术的进步与发展服务。The excavation of the main tomb in the Zhongshan State during the Warring States period is a significant discovery in the field of archaeology in Hebei and even China.The numerous precious artifacts unearthed not only represent thousands of years of historical and cultural heritage but also embody exquisite artistic craftsmanship.Zhongshan State’s art of artifacts and Kao Gong Ji both fall within the category of pre-Qin culture.Through the analysis of literature and unearthed artifacts,and by comparing the artisticideas in Kao Gong Ji,the correlation between Zhongshan State’s art of artifacts and the ingenious principles,techniques,and skills in Kao Gong Ji can be identified.This correlation is specifically reflected in three aspects:the theory of creation and production,the technical connection between Taoand utensils,and the cultural and aesthetic aspects of artifacts.The exploration of the relationship between Zhongshan State’s art of artifacts and Kao Gong Ji contributes to the inheritance of ancient artistic wisdom and culture,providing valuable design ideas and artistic elements for the progress of contemporary art of artifacts.

关 键 词：中山国 《考工记》 理 技 艺 造物艺术 

分 类 号：J520.9[艺术—艺术设计]