杨度诗学主张与诗歌艺术特征探析  

Yang Du’s Poetic Proposition and His Artistic Characteristics of Poetry

作　　者：张颖 蒋鸿青 ZHANG Ying;JIANG Hongqing(School of Chinese Language and Literature,Yangzhou University,Yangzhou 225002,China)

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《湖南人文科技学院学报》2024年第1期83-89,共7页Journal of Hunan University of Humanities,Science and Technology

摘　　要：杨度是清末民初声名颇著的政治人物,遗憾的是其诗人身份、诗歌创作较少受学界关注。在湖湘地域文化的熏陶和其老师王闿运的影响下,杨度推崇盛唐诗歌,追求诗歌意境之美与音律和谐,推崇雄放、自然、明丽的诗风。杨度诗境阔大、诗格颇高;意象壮美、情感充沛;刺世疾邪、悲壮慷慨,这是他对其诗学主张的充分实践。杨度带有佛学之思的诗作也独具特色,其除了自度还欲救世,带有佛学的入世色彩。Yang Du was a well-known political figure in the late Qing and early Republic of China.Unfortunately,his identity as a poet and his poetry creation did not receive much attention from the academic community.Under the influence of Hunan regional culture and his teacher Wang Kaiyun,Yang Du praised the poetry of the prosperous Tang Dynasty,pursued the beauty of poetic imagery and harmony in melody,and advocated the bold,natural,and bright poetic style.His poetry has a broad and high poetic style;his poetry is rich in imagery and emotions;the full practice of his poetic propositions is to prick the world’s diseases,and to be tragic,stirring and generous.Yang Du’s poetry with Buddhist thought is also unique,with a desire to save the world in addition to self-salvation.

关 键 词：杨度 诗歌 诗学主张 诗歌创作 艺术特征 

分 类 号：G41[文化科学—教育学]