苗族服饰图像中的文化内涵  

The Cultural Connotation in Miao Clothing Images

作　　者：张嫣 邹游 Zhang Yan;Zou You(School of Fashion,Beijing Institute Of Fashion Technology,Beijing 100105,China)

机构地区：[1]北京服装学院服装艺术与工程学院,北京100105

出　　处：《艺术与设计（理论版）》2023年第11期109-111,共3页Art and Design

基　　金：中国传统服饰文化的抢救传承与设计创新人才培养项目项目编号:NHFZ20230012。

摘　　要：苗族服饰图像涵盖的内容多样,形式多变,在其独特的文化给养下构成了其自有的图像谱系。文章从苗族图像的创世观、自然观和审美观三个方面,以图像这一作为思维意识的外显式表达入手,探讨其中的所包含文化内涵,探寻苗族服饰图像所传递出的关键民族特性。The Miao clothing images cover a variety of content and diverse forms,forming their own image lineage under their unique cultural support.This article starts from three aspects of the creation view,natural view,and aesthetic view of Miao ethnic images,using images as an explicit expression of thinking consciousness,exploring the cultural connotations contained therein,and exploring the key ethnic characteristics conveyed by Miao ethnic clothing images.

关 键 词：文化内涵 创世观 自然观 审美观 

分 类 号：J04[艺术—艺术理论]