及物诗学与“她者”传奇:论《千里江山图》的革命书写  

Transitive Poetics and the Legend of"Her":On the Revolutionary Writing of A Panorama of Rivers and Mountains

作　　者：王秋实 WANG Qiushi(College of Arts,Lanzhou University,Lanzhou 730106,Gansu,China)

机构地区：[1]兰州大学文学院,甘肃兰州730106

出　　处：《惠州学院学报》2024年第1期98-104,115,共8页Journal of Huizhou University

基　　金：甘肃省优秀研究生“创新之星”项目(2022CXZX-006)。

摘　　要：《千里江山图》的革命书写展现出了较为别致的面孔。小说着力抚平了过往宏大叙事中的缝隙与褶皱,通过丰富细腻的物象为革命赋予了可供沉淀凝结的基点,呈现了在场性的历史时空与在地化的革命行动,同时接续了市民传奇的写作策略,利用民间伦理改写革命动机,依靠市井逻辑呈现革命图景,为革命书写敞开了爱欲化、都市化、生活化的表形与表意空间,再辅之以“她者”化的革命观像与苍凉的美学底色,在深沉的咏叹中诠释了革命时代普通人的复杂心声,既焕新了革命美学的纹理,又令革命的抒情策略发生易辙。最终,《千里江山图》接续了海派文学与先锋文学的精神血统,彰显了对本土社会与文艺现代性的检视与反思。The revolutionary writing of A Panorama of Rivers and Mountains presents a relatively unique face.The novel tries to smooth the cracks and folds in the grand narrative of the past,endows the revolution with a starting point for precipitation and condensation through rich and delicate images,presents the historical time and space of the presence and the revolutionary action in the locality.At the same time,it continues the writing strategy of the citizen legend,rewrites the revolutionary motivation by using the folk ethics,and presents the revolutionary picture by relying on the market logic.It opens up the expressive space of love,urbanization and life for revo‐lutionary writing,and is complemented by the revolutionary view of"her"and the desolated aesthetic background,it interprets the com‐plex voices of ordinary people in the revolutionary era in a profound aria,which not only refreshes the texture of revolutionary aesthetics,but also changes the lyric strategy of revolution.In the end,A Panorama of Rivers and Mountains continues the spiritual lineage of Shanghai style literature and avant-garde literature,highlighting the examination and reflection on the modernity of local society and literature.

关 键 词：《千里江山图》 革命书写 物象 传奇 “她者” 

分 类 号：I206.7[文学—中国文学]