明清闺秀花卉赋的“自我”书写与品质达成  

The writing of"self"and quality achievement in the ode to the flower among the young ladies in the Ming and Qing Dynasties

作　　者：李卉 LI Hui(College of Arts,Shandong University,Jinan 250100,China)

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《海南大学学报（人文社会科学版）》2024年第2期186-192,共7页Journal of Hainan University （Humanities & Social Sciences）

基　　金：国家社会科学基金重大项目(17ZDA240)。

摘　　要：明清闺秀在赋中的“自我”书写促使花卉赋新的品质达成,在花卉赋中的女性形象塑造中完成朦胧感与明晰化的辩证统一,构筑女性文学的审美体系。“女性写女性”的明清闺秀花卉赋是家族文人群中女性创作范式的具体表现,展现出明显区别于“男子而作闺音”的男作家“凝视”传统的“清慧”美学品貌和雅致心境。明清闺秀花卉赋者在赋题选取上的花卉种类之孤寒特质、在具体的花卉描写中的纤细语言材质以及在花卉观察中的“自我”代入,体现出明清女性文学新的思想境界。The The young ladies in the Ming and Qing Dynasties write"self"in the ode,which contributes to the new quality achievement of the ode to the flower,achieves the dialectical unity of haziness and clarity in the portrayal of female images in the ode to the flower,and constructs the aesthetic system of female literature."The female written by the female",in the ode to the flower among the young ladies in the Ming and Qing Dynasties,is a concrete manifestation of the female creative paradigm in the family literature group,showing a distinct aesthetic character and elegant state of mind that is different from the traditional"gaze"of male writers who"make the boudoir voices for men".As for the writers of the ode to the flower among the young ladies in the Ming and Qing Dynasties,the unique and cold nature in the types of flowers is selected as the themes of odes,the delicate language and materials used in the specific flower descriptions,and the"self"introduced in the flower observation.All these reflect a new ideological realm in the female literature in the Ming and Qing Dynasties.

关 键 词：女性 花卉赋 审美 品质 

分 类 号：I222.4[文学—中国文学]