琴与本事迁移:“西厢”故事悲喜剧的转捩点  

Guqin and The Original Story Transition:the Transformation of the"Xi Xiang"Story from Tragedy to Comedy

作　　者：郭伟[1] Guo Wei

机构地区：[1]河南大学文学院

出　　处：《戏剧（中央戏剧学院学报）》2023年第6期141-155,共15页Drama:The Journal of the Central Academy of Drama

基　　金：国家社会科学基金项目“唐代本事文图迁移考”(项目编号:20BZW032)的阶段性研究成果。

摘　　要：本文以琴在文本和图本中的不对称现象为考察起点,对《莺莺传》《董西厢》《王西厢》中琴的分布、相如文君事的隐现做了频次统计和对比分析,考察了相如文君事在崔张本事中的移入和淡化过程。研究表明,从《莺莺传》到《董西厢》的变化是单一本事到复合本事的调整,这决定了“西厢”故事从悲剧到喜剧的转变;从《董西厢》到《王西厢》的变化是相如文君事相对弱化,崔张本事相对强化,即回归《莺莺传》的还原过程,这也使得张生以琴心挑动莺莺定型为“西厢”爱情故事的内核。Originating from the asymmetry of the Guqin in the texts and images,this article collects the frequency statistics and comparatively analyzes the distribution of Guqin and the looming of Xiangru-Wenjun story in The Tale of Yingying,Master Tung's Western Chamber Romance and Romance of the Western Chamber,and investigates the naturalizing and weakening process of Xiangru and Wenjun story in Cui Yingying and Zhang Sheng's original story.The research shows that the change from The Tale of Yingying to Master Tung's Western Chamber Romance is an adjustment from a single story to a compound story,which fundamentally transforms the tragic stories of the West Chamber to comedies.On the other hand,the change from Master Tung's Western Chamber Romance to Romance of the Western Chamber suggests a relative weakening of Xiangru-Wenjun story,and a relative strengthening of Cui Yingying and Zhang Sheng's story,a restoration of The Tale,which shapes the core of the Western Chamber romance where Zhang Sheng courts Cui Yingying with the Guqin.

关 键 词：琴 本事迁移 “西厢”故事 悲喜剧 转捩点 

分 类 号：J82[艺术—戏剧戏曲]