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作 者:吴大顺[1] Wu Dashun
出 处:《中州学刊》2024年第2期151-157,共7页Academic Journal of Zhongzhou
基 金:国家社会科学基金项目“中国乐府学史研究”(15XZW016)。
摘 要:郭茂倩《乐府诗集》将汉魏六朝以来形成的以乐府歌辞载录、曲题考释和乐府专题批评为基本形态的乐府学成果集于一体,建构了比较系统、完整的乐府学谱系。在诗歌选录方面,它广采博收,成为历代乐府诗集选诗数量和卷次规模之最,并将乐辞本的“乐录”作品与文辞本的“歌录”作品同时收录,将乐工“乐奏辞”与文人“本辞”汇为一集,构建了乐府歌辞载录的新谱系。在解题方面,它将类题、组题和曲题三个层面的解题集于一体,使曲题本事、本义的解说与乐府音乐的专题论述相统一,拓展了乐府专题批评的新境界。在分类方面,它以乐府诗的音乐属性为基础,既充分吸纳前人分类成果,又结合乐府诗历代发展流变的复杂性,集汉唐历代乐府诗谱系之大成。The Collection of Poems of Yuefu written by Guo Maoqian,integrated the Yuefu lyrics,the explanations of the titles and the Yuefu monographic criticism from the six dynasties of Han-Wei,and constructed a relatively systematic and complete Yuefu studies genealogy.In the aspect of the selection of poems,it was the largest volume of poetry anthology in the history of Yuefu poetry anthology.In addition,the works of“record of music”and those of“record of songs”were included at the same time,integrating the system of“record of music”of musicians and the system of“record of songs”of writers and constructing the new genealogy of the collection of Yuefu poems.In the aspect of the explanations of the titles,it integrated three levels of explaining titles,such as solving typical titles,solving a group of titles and solving the titles of the pieces of music,making the explanation of the titles of the specific pieces of music and the monograph of Yuefu music into a whole,expanding the exclusive criticism of Yuefu to a new realm.In the aspect of classification,based on the musical attribute of Yuefu poetry,it not only fully absorbed the classification results of predecessors,but also combined the complex changes in the creation and the development of Yuefu poetry in the past dynasties,representing the culmination of the poetic genealogy of the Han and Tang Dynasties’Yuefu poetry.
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