约瑟夫·马戈利斯的强势相对主义艺术哲学  

Joseph Margolis'Robust Relativism Philosophy of Art

作　　者：徐靓 宋伟[1,2] Xu Liang;Song Wei(College of Liberal Arts,Liaoning University,Shenyang Liaoning 110036;Institute of Arts and Humanities,Shanghai Jiaotong University,Shanghai 200240)

机构地区：[1]辽宁大学文学院,辽宁沈阳110036 [2]上海交通大学人文艺术研究院,上海200240

出　　处：《沈阳师范大学学报（社会科学版）》2024年第1期74-81,共8页Journal of Shenyang Normal University(Social Science Edition)

基　　金：辽宁省社会科学规划基金项目(L23BYY004)。

摘　　要：约瑟夫·马戈利斯总结欧陆哲学和分析美学在艺术研究中的不足后,进一步发展普罗塔哥拉的相对主义,提出极富人本主义色彩的强势相对主义。其解释学以艺术实践为研究对象,肯定人的个体感受,以价值评价而非真假逻辑为判断依据,包容互不相容、相互矛盾的判断可以共存。马戈利斯回应对相对主义的质疑,捍卫强势相对主义艺术哲学在艺术研究中的合法性和适用性。同时,他认为艺术是以物理形式现身并在文化中浮现出来的实体,将艺术品视为具有历史性和文化性的物理实体,这对艺术本体论研究具有启发意义。After critically assessing the deficiencies of Continental philosophy and Analytic Aesthetics in the realm of art analysis,Margolis,drew inspiration from Protagoras'Relativism,managed to construct his Robust Relativism deeply imbued with humanistic undertones.His Robust Relativism interpretation,taking artistic praxis as his object,affirms individual feelings,favors appreciative judgments over true-false logic examination,and accommodates judgments that may be incongruent or even contradictory.He responded to the doubts to relativism and defended the legitimacy and applicability of his artistic philosophical theory in art research.Simultaneously,he believes art is physically embodied and culturally emergent entities and he views artworks as physical entities with historical and cultural dimensions,offering enlightening implications for the study of art ontology.

关 键 词：约瑟夫·马戈利斯 强势相对主义 艺术哲学 解释学 

分 类 号：J05[艺术—艺术理论]