数字戏剧表演美学建构:理念阐发、实践路径和技术赋能  

Construction of Digital Theatrical Performance Aesthetics:Conceptual Elaboration,Practical Path and Technological Empowerment

作　　者：杨冬妮 YANG Dongni

机构地区：[1]山东师范大学美术学院

出　　处：《戏剧艺术》2024年第1期51-61,共11页Theatre Arts

基　　金：国家社科基金艺术学项目“数字艺术非义行为及其对抗机理研究”(20BC043)的阶段性成果。

摘　　要：将戏剧表演美学与数字美学有机融合,建构一种优势互补的新型数字戏剧表演美学范式,是促进戏剧数字化转型并大规模提高知名度的一条可行路径。数字戏剧表演美学以“现场实时人人、人机观演互动共创”为本质属性,包含“现场实时”“人人观演互动”“人机互动共创”三个有机组成部分。其实践路径是以计算机技术、网络技术、人工智能技术赋能戏剧创演,打造元宇宙戏剧、人工智能表演等较之以往更具互动性、参与性和沉浸性的数字戏剧创演模式。Achieving the seamless fusion of theatrical performance aesthetics and digital aesthetics,and constructing a new form of digital theatrical performance aesthetics presents a viable avenue to propel the digital transformation of theatre.The fundamental attributes of digital theatrical performance aesthetics entail"face-to-face interaction and co-creation between human actors,audiences,and artificial intelligence".The pragmatic trajectory encompasses the empowerment of theatrical performances through the application of digital technologies,culminating in the creation of metaverse theatres,artificial intelligence performances that exhibit heightened interactivity,participatory engagement,and immersive experiences.

关 键 词：数字戏剧表演美学 戏剧表演美学 数字美学 数字技术 

分 类 号：J80[艺术—戏剧戏曲]