歌舞伎剧场的近代转型及身份确认  

The Modern Transformation and Identity of Kabuki Theatre

作　　者：方军[1] FANG Jun

机构地区：[1]上海戏剧学院创意学院

出　　处：《戏剧艺术》2024年第1期187-196,共10页Theatre Arts

摘　　要：作为一种东方传统演剧艺术,日本歌舞伎在近代转型的过程中依托了剧场这一个重要的支点。歌舞伎领域的资深从业者、新型知识分子、政界人士、产业资本等,均从不同方面卷入了近现代歌舞伎剧场的身份塑造。近现代歌舞伎剧场的身份确立,是在西方演剧观与日本戏剧独特性之间展开的。其间的微妙关系及其博弈过程,凸显了东方传统演剧在近现代社会中转型时的处境,同时也表现出其异乎寻常的生命力和创造性。In the process of modern transformation,theatre has become an important fulcrum of Japanese Kabuki,a traditional oriental theatre art.Senior practitioners in the field of Kabuki,new intellectuals,politicians,industrial capital,etc.,are involved in the identity formation of modern Kabuki theatre from different aspects.The identity of Kabuki theatre in modern times is formed between the Western view of theatre and the uniqueness of Japanese theatre.The subtle relationship and interplay between them highlight the situation of traditional oriental theatre during the transformation of modern society,and also show its extraordinary vitality and creativity.

关 键 词：歌舞伎 剧场 转型 西方演剧观 东方独特性 

分 类 号：J80[艺术—戏剧戏曲]