道德底线与欲望诱惑:拜伦土耳其叙事诗中媚俗的女性书写  

Moral Codes and Illicit Temptations:Kitschy Feminine Writing in Byron's Turkish Tales

作　　者：蒋建 JIANG Jian

机构地区：[1]北京外国语大学

出　　处：《广东外语外贸大学学报》2024年第3期142-151,共10页Journal of Guangdong University of Foreign Studies

摘　　要：在浪漫派时期,西方读者对东方书写的渴望达到了顶峰。空前的市场需求催生了大批书写东方的书籍,但这些盈利文学多因触碰了西方人的道德底线而饱受批评、销量不佳。拜伦则不然,他在创作土耳其叙事诗的过程中,将目标读者聚焦西方中上阶层的女性,通过对平衡术、白日梦、“甜媚俗”与“酸媚俗”等媚俗策略的巧妙使用,不仅逃脱了僭越道德底线之嫌,为西方女性提供了力比多的代偿性满足,也符合中产阶级女性的性别规范,满足了上流女性的猎奇心理,甚至还突出了西方女性的道德优越感,成功缔造了“拜伦神话”。Occidental readers' craving for oriental writing reached the peak during the English romantic period. Unprecedented market demands generated numerous potboilers which more often than not, were vehemently criticized for violating occidental moral mores. With occidental women from middle and high classes in his mind while writing his Turkish Tales, Byron, through the strategies of equilibrium, reverie and “sweet kitsch” and “sour kitsch”, not only got away with disobeying moral codes, providing vicarious satisfaction of libido for occidental women, but also followed middle-class women's gender norms and even catered to the illicit curiosity of high-class women. These strategies of kitsch served successfully as foils to occidental women's moral superiority, contributing to the “Byron myth”.

关 键 词：拜伦 土耳其叙事诗 媚俗 女性书写 

分 类 号：I106.2[文学—世界文学]