石门何处寻——沈宗骞《石门观瀑图》研究  

Where to Find a Stone Gate: Study on Shen Zongqian's Appreciating a Waterfall at a Stone Gate

作　　者：蔡拥华[1] Cai Yonghua(Guangzhou Academy of Fine Arts)

机构地区：[1]广州美术学院

出　　处：《美术》2024年第2期112-117,共6页Art Magazine

摘　　要：清代画家沈宗骞所作《石门观瀑图》是人物与山水相结合的佳作,从该作画面来看,作品图像本身并无实景特征,属于明清时期流行的“高士观瀑图”一类的格套化描绘,画家沈宗骞本人在题跋中亦未提及该作品涉及对实际地点的描绘。该作品被命名为《石门观瀑图》,从而与“石门”这一实际存在的地点产生联系,但实则为画作完成10年后,周煌在与诸皇子交往互动过程中,通过题写引首为画作定名,及卷后诗文题跋对画面内容的再阐释。本文试图通过对周煌与被重新定名的《石门观瀑图》之间关系的再解读,揭示隐匿在画作及相关行为背后的意涵。The Appreciating a Waterfall at a Stone Gate by painter Shen Zongqian of the Qing Dynasty is a masterpiece with both figures and landscape.There is no features of a real scene in this painting,which falls in the fixed category of anoble people appreciating a waterfallo popular during the Ming and Qing Dynasties;nor did the painter mention the depiction of a real place in the preface and postscript.The title Appreciating a Waterfall at a Stone Gate indicates a real stone gate;in fact,ten years after the painting was completed,Zhou Huang,an official of the Qing Dynasty,and princes named the painting by writing prefaces for it in their exchanges and reinterpreted the content based on poetry written at the end of the painting.This article tries to reveal the meaning hidden in the painting and relevant activities by reinterpreting the relationship between Zhou Huang and the renamed painting.

关 键 词：石门观瀑图 沈宗骞 周煌 书画收藏 社会交往 

分 类 号：J212[艺术—美术]