近20年手机摄影研究综述  

A Review of Mobile Photography Research in the Past 20 Years

作　　者：伍海翔 黎大志[1,3] WU Haixiang;LI Dazhi(Hunan Normal University,Changsha,Hunan,410012;Hunan University of Technology And Business,Changsha,Hunan,410205;Hunan Intangible Cultural Heritage Imaging Information Key Laboratory,Changsha,Hunan,410012)

机构地区：[1]湖南师范大学,湖南长沙410012 [2]湖南工商大学,湖南长沙410205 [3]湖南非物质文化遗产影像信息重点实验室,湖南长沙410012

出　　处：《湖南包装》2024年第1期13-17,共5页

基　　金：湖南工商大学校级教研教改项目:“一流课程”背景下基于手机媒介的摄影课程教学设计与实践;教育部产学合作协同育人项目(202101132003)。

摘　　要：文章对近20年涉及手机摄影主题的社科类中英文文献进行了广泛检索和梳理,文献主要来源于中国知网、Web of Science和相关专著。研究发现目前手机摄影的文献主要集中在行为与主题、美学与审美、社交与媒介、图像与权力4个方面。可以从美术史的角度对手机摄影的审美趋势、审美心理、艺术价值做进一步的探讨;从社会学的角度探索手机摄影与艺术、社会、文化的关系;从传播学的视角讨论手机这种媒介带来的媒介礼义、图像传播的“视觉语法”;还可以从政治学和人类学的角度进一步探讨手机摄影的图像权利,研究AI人工智能技术发展对手机摄影的影响。The article extensively searched and sorted out Chinese and English social science literature related to mobile photography in the past 20 years,mainly sourced from China National Knowledge Infrastructure,Web of Science,and related monographs.Research has found that the current literature on mobile photography mainly focuses on four aspects:behavior and theme,aesthetics and aesthetics,social and media,and image and power.Further exploration can be conducted from the perspective of art history on the aesthetic trends,aesthetic psychology,and artistic value of mobile photography;Exploring the relationship between mobile photography and art,society,and culture from a sociological perspective;From the perspective of communication studies,discuss the media etiquette and visual grammar of image dissemination brought by mobile phones as a medium;We can further explore the image rights of mobile photography from the perspectives of political science and anthropology,and study the impact of AI technology development on mobile photography.

关 键 词：手机摄影 研究历程 文献综述 

分 类 号：J405[艺术—摄影艺术]