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作 者:曹宇慧 袁哲[1] 吴辰苌卿 CAO Yuhui;YUAN Zhe;WU Chenchangqing(School of Art and Design,Southwest Forestry University,Kunming,Yunnan,650000)
机构地区:[1]西南林业大学艺术设计学院,云南昆明650000
出 处:《湖南包装》2024年第1期119-121,共3页
基 金:云南省教育厅科学研究基金项目(2022Y657)。
摘 要:香格里拉藏区被誉为“离天堂最近的地方”,民居建筑装饰不仅是藏族悠久历史传统文化的现实印证,而且是藏族建筑文化的重要组成部分,其在装饰图案纹样上尤为绚丽多姿,向人们展示着神秘的美感。文章从装饰题材、纹样、装饰手法上进行总结分析,将CNKI数据库内有关藏族民居装饰领域的中文文献整合得出其发展历程的时区图,以保护和发扬藏族民居装饰艺术以及藏族民居建筑装饰传统文化为目的,为其传承和发展提出理论依据,从而促使香格里拉藏区民居装饰焕发新活力展现新的独特魅力。The Shangri-La Tibetan area is known as the"closest place to heaven",and the decoration of residential buildings is not only a realistic confirmation of the long history and traditional culture of the Tibetan people,but also an important component of Tibetan architectural culture.Its decorative patterns and patterns are particularly colorful,showcasing a mysterious beauty to people.The article summarizes and analyzes the decorative themes,patterns,and techniques,and integrates Chinese literature related to Tibetan residential decoration in the CNKI database to obtain a time zone map of its development process.The aim is to protect and promote Tibetan residential decoration art and traditional Tibetan architectural decoration culture,and provide theoretical basis for its inheritance and development,thereby promoting the revitalization and display of new unique charm in Shangri-la Tibetan residential decoration.
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