桃源刺绣瑞兽纹的研究与再设计  

Research and Redesign of Auspicious Animal Patterns in Taoyuan Embroidery

作　　者：杨津 林军[1] YANG Jin;LIN Jun(Hunan University Of Science And Technology,Xiangtan,Hunan,411201)

机构地区：[1]湖南科技大学,湖南湘潭411201

出　　处：《湖南包装》2024年第1期180-183,203,共5页

基　　金：湖南省哲学社会科学基金一般项目(22YBA140)。

摘　　要：被誉为“湘绣之魂”的桃源刺绣是洞庭湖西部的一颗璀璨明珠,其历史悠久,最早可溯源至夏商时期。桃源刺绣题材丰富,以历史或戏曲人物、花鸟瑞兽等为主。瑞兽纹作为桃源刺绣的代表性纹样有着丰富的文化内涵,也映照着对应时期下民众的精神诉求。而作为湖南省新晋省级非遗项目,桃源刺绣的传承现状与影响力有待改善与加强。文章通过文献查阅与实地调研对桃源刺绣瑞兽纹样相关资料进行收集与整理,并分别对麒麟纹、貔貅纹、狻猊纹的文化内涵进行解读。对极具代表性的桃源刺绣瑞兽纹样进行色彩、造型、构图三要素的提取与分析,再基于CGM模型进行研究与再设计,以此探索桃源刺绣新的传承保护与再设计形式。Taoyuan embroidery,known as the"soul of Hunan embroidery",is a brilliant pearl in the western part of Dongting Lake.Its history is long and can be traced back to the Xia and Shang dynasties.Taoyuan embroidery has a rich variety of themes,mainly featuring historical or theatrical figures,flowers,birds,auspicious beasts,and more.The auspicious beast pattern,as a representative pattern of Taoyuan embroidery,has rich cultural connotations and reflects the spiritual demands of the people in the corresponding period.As a new provincial-level intangible cultural heritage project in Hunan Province,the inheritance status and influence of Taoyuan embroidery need to be improved and strengthened.Through literature review and field research,this article collects and organizes relevant information on Taoyuan embroidery auspicious beast patterns,and interprets the cultural connotations of Qilin patterns,Pixiu patterns,and Suan Ni patterns.Extract and analyze the three elements of color,shape,and composition of the highly representative Taoyuan embroidery auspicious beast pattern,and then conduct research and redesign based on the CGM model to explore new forms of inheritance,protection,and redesign of Taoyuan embroidery.

关 键 词：桃源刺绣 瑞兽纹 再设计 

分 类 号：TS935.1[轻工技术与工程] J523.6[艺术—艺术设计]