丹娜·克拉克斯顿充满活力的肖像:土著文化丰富多彩  

Indigenous Cultural Abundance Overflows in Dana Claxton's Vibrant Portraits

作　　者：KATE MOTHES 宗甫(译) 

机构地区：[1]不详

出　　处：《浙江工艺美术》2023年第12期44-45,共2页Arts & Crafts

摘　　要：在《头饰》这一活力十足、神秘莫测的肖像系列作品中,来自温哥华的艺术家丹娜·克拉克斯顿对丰富多彩的土著文化大加赞颂。精心缝制的羽毛、带有装饰的棒球帽和精致的串珠装饰物散落在五个人的身上,几乎完全遮住了他们的脸。克拉克斯顿这样说道:“这些肖像的珠饰不仅仅是物品,它们覆盖并勾勒出了女性的轮廓。珠饰是文化的留存,而女性则是文化的载体。”In the vibrant,enigmatic portraiture series titled Headdress,Vancouver-based artist Dana Claxton celebrates Indigenous cultural abundance.Intricately stitched feathers,embellished baseball caps,and elaborately beaded jewelry spill over five figures,almost completely obscuring their faces."In these portraits,the beadworks cover and espouse the womxn's silhouettes,becoming more than just objects,"Claxton says in a statement."The beadworks are cultural belongings,and the womxn are cultural carriers."

关 键 词：土著文化 装饰物 棒球帽 肖像 珠饰 系列作品 温哥华 克拉克 

分 类 号：G63[文化科学—教育学]