明清紫禁城中轴线建筑形象的图像资料研究  

Research on the Image Data of the Buildings on the Central Axis of the Forbidden City in the Ming and Qing Dynasties

作　　者：梁飞[1] 刘少帅 刘晓曦[1] Liang Fei;Liu Shaoshuai;Liu Xiaoxi

机构地区：[1]北京城市学院城市建设学部 [2]北京联合大学艺术学院

出　　处：《城市建筑》2024年第3期153-159,共7页Urbanism and Architecture

基　　金：北京市社会科学基金规划项目“基于宫廷画与传统舆图视角的清代背景前门地区商业建筑的形象研究”。

摘　　要：紫禁城位于北京皇城与内城中心,其布局深受中国传统皇城规划思想的影响,中轴线上的建筑成为挑起整个城市的“脊梁”,然而六百年时光荏苒,一些建筑的空间格局和形象都发生了些许改变。文章从传统绘画、舆图及历史文献等各种资料中,探寻紫禁城中轴线建筑的形象变迁,并对其形制原型“三朝五门”进行探讨,可为理解明清时期紫禁城的都城政治空间格局及建筑体形环境的真实面貌提供一种较为生动全面的考察视角。Forbidden City is located in the center of the imperial city and the inner city of Beijing.Its layout is deeply influenced by the planning ideas of the traditional Chinese imperial city.The buildings on the central axis have become the“spine”of the whole city.However,as time goes by for six hundred years,some buildings have changed.This paper explores the image changes of the buildings on the central axis of the Forbiden City from various data,including traditional paintings,maps,and historical documents,etc.,and discusses its prototype“Three Halls and Five Gates”.It provides a comprehensive perspective for us to understand the political space pattern of the capital city and the true appearance of the architectural shape environment of the Forbidden City in Ming and Qing Dynasties.

关 键 词：紫禁城 中轴线 三朝五门 

分 类 号：TU-8[艺术—艺术设计]