移植与再造:莫高窟第331窟东壁十一面观音造像组合考  

Transplantation and Reconstruction:A Study on the Combination of Eleven-faced Avalokitesvara Statue on the East Wall of Mogao Cave 331

作　　者：陈凯源 沙武田[1] Chen Kaiyuan;Sha Wutian

机构地区：[1]陕西师范大学历史文化学院

出　　处：《艺术设计研究》2024年第1期18-26,共9页Art & Design Research

基　　金：国家社科基金冷门绝学研究专项学术团队项目“敦煌壁画外来图像文明属性研究”(项目编号:20VJXT014);陕西师范大学历史文化学院研究生“念海史学”探索项目“敦煌汉传密教图像研究”的阶段性成果。

摘　　要：莫高窟第331窟东壁北侧绘有一铺以十一面观音为主尊胁侍的说法图,经分析可知,该造像组合是在借鉴长安出土的“大唐善业泥”的基础上,参考其他相关的唐长安风格佛教造像改造而成的一铺佛教艺术作品,创作年代大致为垂拱二年(686)至圣历元年(698)这段时间。第331窟以及第332、148窟作为敦煌李氏家族在莫高窟开凿的洞窟,三者不仅作为初盛唐时期敦煌石窟中的代表洞窟,窟内还出现了大量与唐长安相关的造像内容,这表明其深受唐长安佛教思想及艺术的影响,是唐代长安风尚浸染下所建造的一批洞窟。There is a painting about Buddha in preaching which depicting two Eleven-faced Avalokitesvara as the Attendant Bodhisattva,on the north side of the east wall in Mogao Cave 331.Through analysis,it can be seen that the combination of statues is based on the reference to the"Great Tang Shanyeni"un-earthed in Chang'an and other relevant Tang Chang'an style Buddhist statues.Its creation period is roughly from the second year of the Chuigong(686)to the first year of the Shengli(698).Cave 331,332 and 148 are the caves carved by the Li family in Dunhuang.They are not only the representative caves in Dunhuang grottoes in the early Tang Dynasty,but also a large number of statues related to Tang Chang'an.It shows that the caves deeply influenced by Tang Chang'an's Bud-dhist thought and art,they are a group of caves built under the influence of Tang Chang'an's fashion.

关 键 词：莫高窟第331窟 十一面观音 善业泥 唐长安 敦煌李氏 

分 类 号：J18[艺术—艺术理论]