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作 者:潘天舒[1] 郭靖雯 PAN Tianshu;GUO Jingwen(Institute of Anthropology and Ethnology,Fudan University,Shanghai 200434,China)
机构地区:[1]复旦大学人类学民族学研究所,上海200434
出 处:《云南民族大学学报(哲学社会科学版)》2024年第2期45-51,共7页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
基 金:云南大学“深山老林人类学研究学生资助项目”(2023D03)阶段成果。
摘 要:当前手工艺类非物质文化遗产研究多关注无形文化如技艺习得与技艺传承,容易忽略手工艺发展所依托的有形之物,即物质性基础的研究。人类学整体观视角下将非物质文化遗产作为一个整体,统合了物质与非物质,自然与文化。因此,研究者应对手工艺类非物质文化遗产的物质性与非物质性层面同时进行深度的考察。手工艺类非物质文化遗产作为整体性存在,还包括了流动性与可变性,它并非是凝滞的地方特色产物,其存在与发展始终伴随着与地方社会以外世界的连接与互动。Current research on the intangible cultural heritage of handicrafts mostly focuses on such elements of intangible culture as skill acquisition and skill transmission,and tends to neglect the study of tangible things,that is,the material foundation on which the development of handicrafts is based.The anthropological holistic view of intangible cultural heritage as a whole integrates the tangible with the intangible,and nature with culture.Therefore,researchers should examine both the material and intangible dimensions of the intangible cultural heritage of handicrafts in depth.The intangible cultural heritage of handicrafts as a whole also includes mobility and variability because it is not a stagnant product with local characteristics,and its existence and development are always accompanied by connections and interactions with the world outside the local society.
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