海外音乐民族志研究刍议  

A Humble Opinion on the Study on Overseas Music Ethnography

作　　者：赵书峰 赵飞 Zhao Shufeng;Zhao Fei(Hunan Normal University;the major of ethno-musicology at the School of Music of Hunan Normal University,Changsha,Hunan,410081)

机构地区：[1]湖南师范大学 [2]湖南师范大学音乐学院,湖南长沙410081

出　　处：《民族艺术研究》2024年第1期132-138,共7页Ethnic Art Studies

基　　金：国家社科基金冷门绝学研究专项学者个人项目“中国与东南亚瑶族《盘王大歌》系列传世唱本整理与研究”(项目批准号:20VJXG022)的阶段性研究成果。

摘　　要：海外音乐民族志研究是国内民族音乐学学者运用“双重语言能力”,在基于跨国境与跨文化比较视野下,以汉语为音乐民族志叙事与书写符号,对异国音乐文化展开的长期居住式的田野考察实践活动。同时,研究主体从西方学者的被表述与中国本土学者的自表述,转变成为基于全球视野下的针对异国他乡音乐为叙事主体的研究。研究的重点是从全球化文化维度重新思考音乐风格特征的生成、发展与文化变迁原因与其所在国经济、技术、媒体、意识形态、族群建构等文化景观的关系。海外音乐民族志研究除了聚焦国外原住民音乐的研究,更应关注跨界语境中的中国音乐的海外传播研究。Overseas music ethnography emphasizes the use of“dual linguistic ability”.Based on cross-border and cross-cultural comparative perspectives,it is a long-term residential fieldwork practice carried out by domestic scholars,using Chinese as the symbol for music ethnographic narratives and writing,on foreign music cultures.At the same time,the research subject of overseas music ethnography has changed from the representation of Western scholars and the self-representation of local Chinese scholars to the study of foreign music as the subject of narration in a global perspective.The focus of overseas music ethnography is to rethink,from the perspective of globalization,the relationship between the generation,development,and cultural changes of musical style characteristics and the cultural landscapes of the countries where they are located in terms of economy,technology,media,ideology,and ethnicity construction.In addition to focusing on the study of foreign indigenous music,the study of overseas music ethnography should also pay attention to the study of the overseas dissemination of Chinese music in the cross-border context.

关 键 词：海外音乐民族志 双重语言能力 跨文化比较 跨界族群音乐 “世界性社会” 

分 类 号：J607[艺术—音乐]