苏轼“随物赋形”命题的功能发展  

Function Development of Su Shi's Proposition of“Conforming to Shapes of Objects”

作　　者：陶承昊 王永[1] TAO Chenghao;WANG Yong(School of Humanities,Communication University of China,Beijing 100024,China)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《海南热带海洋学院学报》2024年第1期62-73,共12页Journal of Hainan Tropical Ocean University

基　　金：国家社会科学基金重大项目(21&ZD068)。

摘　　要：苏轼散文中“随物赋形”一词最初指水随着外界环境变化而改变自己形态的特点,之后发挥出“随物赋形”在为人与为文两方面的理论功能。随物赋形思想既整合了道、佛两家相关的思想,也是对陶渊明人生态度、谢赫相关画论的发展及个人生活经历的理论互动。这一命题在苏轼的书写过程中逐渐增强概括与统摄功能,伴随着这一命题的经典化,其在文学理论领域兼具概括阐释功能与创作实践指导功能的意义不断凸显,一方面持续启迪相关概念、命题的提出和文本的创作,另一方面也以一种风格形态成为理论和创作的评价标准。“Conforming to shapes of objects”in Su Shi's prose firstly referred to the characteristic of water changing its form in response to changes in the external environment and later played the theoretical function ofconducting oneself and composing literary works.“Conforming to shapes of objects”not only integrated the thoughts of Taoism and Buddhism,but also developed Tao Yuanming's life atitude and Xie He's related painting theory.At the same time,it was also the theoretical interaction with personal life experience.In Su Shi's writing process,that proposition gradually strengthened its function of generalization and control.With the classicization of this proposition,its significance in the field of literary theory,which had both the function of generalization and interpretation and the function of guiding creative practice,had become increasingly prominent.On the one hand,“conforming to shapes of objects”continued to inspire the proposal of relevant concepts and propositions and the creation of texts,and on the other hand,it became an evaluation standard for theory and creation as a style and form.

关 键 词：苏轼 随物赋形 行止天成 功能论 

分 类 号：I206[文学—中国文学]