媒介变革中网络文学现实观照的幻像强化——从Internet到Sora的技术迁跃  

The Reinforcement of the Illusion of Reality Reflection in the Media Revolution of Online Literature—From the Internet to Sora's Technological Leap

作　　者：禹建湘[1] 张浩翔 YU Jian-xiang;ZHANG Hao-xiang(School of Humanities,Central South University,Changsha,Hunan,410012,China)

机构地区：[1]中南大学人文学院,湖南长沙410012

出　　处：《西华大学学报（哲学社会科学版）》2024年第2期16-22,共7页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：国家社科基金项目“网络文学观照现实的审美转向研究”(项目编号:21BZW59)。

摘　　要：网络文学的媒介提供了一种虚拟空间的文化交流与精神对话方式。伴随着互联网媒介生产技术从早期诞生到Sora AI问世的持续发展,文艺同社会生活边界的日渐模糊,进而打破了以往同社会存在遥远距离的束缚,以一种超现实的虚拟空间状态进入社会大众的生活。网络文艺创作将个体“无意识之思”通过超现实的叙事表达在集体“无意识之思”的公共语境空间内,并通过一种“在场”式体验的创作同创作者与阅读者构成共同的语意空间。而由于公共语境空间的平等交流性,读者与创作者都在他者介入的影响下参与到网络文艺在“自我理想”中找寻“理想自我”的过程中。The realm of online literature serves as a platform for cultural exchange and spiritual dialogue within a virtual space.With the continuous evolution of internet media production technology,from its early stages to the advent of Sora AI,the once-distinct boundaries between literature and social life have gradually faded.This liberation from past constraints has allowed literature to permeate societal existence,seamlessly integrating into the lives of the general public within a surreal virtual space.Creative works in online literature articulate individual"unconscious thoughts"within the collective"unconscious thought"of the public context through surreal narratives.Adopting a"presence"style of experience,creators and readers collaboratively construct a shared semantic space.Given the egalitarian nature of the public context,both readers and creators actively influence one another,contributing to the exploration of the"ideal self"within the realm of"self-idealization".

关 键 词：网络文学 媒介生产 镜像理论 自我幻像 SORA 文生视频 

分 类 号：I022[文学—文学理论]