美的生态阐释:基于马克思《1844年经济学哲学手稿》的考察  

Interpretation of Aesthetic from Ecological Perspective:Based on“Economic and Philosophic Manuscripts of 1844”

作　　者：王悦心 WANG Yuexin(School of Marxism Studies,Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学马克思主义学院,北京100872

出　　处：《北京理工大学学报（社会科学版）》2024年第2期8-15,共8页Journal of Beijing Institute of Technology：Social Sciences Edition

基　　金：教育部哲学社会科学研究重大专项项目“党的十九大以来习近平生态文明思想的新进展新论断新贡献研究”(2022JZDZ008)。

摘　　要：在《1844年经济学哲学手稿》中,马克思基于生态向度,在审美发生、审美过程、审美理想方面形成了对美的问题的深刻阐释。在生态视野下,人的美感生发于人面向自然的实践活动,并孕育在人化自然当中。在此基础上,人作为审美主体,以生命共同体为审美对象,通过在生态世界里能动地审美参与,建构起了内在尺度与外在尺度相统一的审美标准,由此形成了生态世界中的审美活动过程。最终,通向以人的解放为基础,追求实现生态世界总体性解放的审美理想。可以说,马克思对美的生态阐释,为生态美学在美学当中立足和发展提供了根本性的理论支持,拓展了美学理论的广度和深度,有力地挖掘了审美在生态文明建设中的意义所在。In the“Economic and Philosophic Manuscripts of 1844”,based on the ecological perspective,Marx formed a profound interpretation of the aesthetic occurrence,aesthetic process,and aesthetic ideal.In the ecological perspective,human aesthetic sense originates from the practice of facing nature,and it also breeds in the humanized nature.On this basis,human,as the aesthetic subject,takes the“life community”as the aesthetic object.Through active aesthetic participation in the ecological world,human construct an aesthetic standard that integrates the internal and external dimensions,thus forming the aesthetic activity process in the ecological world.Finally,the aesthetic ideal of the ecological world is to realize the pursuit of total liberation of the ecological world on the basis of human liberation.It can be said that Marx's interpretation of the ecological vision of aesthetics provides a fundamental theoretical support for the foothold and development of ecological aesthetics in aesthetics.It expands the breadth and depth of aesthetic theory,and effectively excavates the significance of aesthetics in the construction of ecological civilization.

关 键 词：《1844年经济学哲学手稿》 生态美学 审美发生 审美过程 审美理想 

分 类 号：A119[哲学宗教—马克思主义哲学]