两代学人的美学超越——从实践美学到实践存在论美学  

The Transcendence of Two Scholar Generations——From Practical Aesthetics to Practical Ontological Aesthetics

作　　者：姚君喜 Yao Junxi(School of Media and Communication,Shanghai Jiao Tong University)

机构地区：[1]上海交通大学媒体与传播学院

出　　处：《美学与艺术评论》2023年第2期21-30,223,共11页Journal of Aesthetics and Art Review

摘　　要：实践美学是20世纪五六十年代中国美学大讨论中的主要流派,对于中国美学理论的发展产生了重要影响。实践美学是立足于马克思主义实践理论范畴的重要论述,系统建构理论体系,形成了具有中国特色的美学理论观点。早期实践美学主要是由李泽厚先生等学者加以论述并得以发展的,随后在蒋孔阳先生等学者的努力下,实践美学理论迈向新阶段。在此基础上,朱立元先生系统论述并提出实践存在论美学。朱立元先生的实践存在论美学理论,一方面是蒋孔阳先生实践美学理论的继承和发展,另一方面是对以往实践美学思想的超越。在两代学人的努力下,实现了中国实践美学理论的超越。Practical aesthetics was a main school in the great discussion of Chinese aesthetics from 1950s to 1960s,which had an important influence on Chinese aesthetic theory development.Importantly based on Marxist practical theory category,theory of practical aesthetics systematically constructs the theoretical system,and forms the aesthetic theoretical thoughts with Chinese characteristics.Early practical aesthetics was mainly discussed and developed by Mr.Li Zehou and other scholars,and then under the efforts of Mr.Jiang Kongyang and other scholars,theory of practical aesthetics was enhanced into a new stage.On this basis,Mr.Zhu Liyuan systematically discussed and put forward practical ontology aesthetics.On one hand,Mr.Zhu Liyuans practical ontology aesthetics theory is the inheritance and development of Mr.Jiang Kongyang's practical aesthetics theory.On the other hand,it is the transcendence of past practical aesthetics thoughts.With the efforts of two scholar generations,the theory of Chinese practical aesthetics had been transcended.

关 键 词：两代学人 实践美学 实践存在论美学 超越 

分 类 号：B83-0[哲学宗教—美学]