比较艺术学视阈下的文学与电影研究:跨媒介、文本化与电影阅读理论  

Literature and Film Studies from the Perspective of Comparative Art:Cross Media,Textualization and Film Reading Theory

作　　者：李斌 何梦珂 Li Bin;He Mengke(School of Literature and Journalism&Communication,Chengdu University)

机构地区：[1]成都大学文学与新闻传播学院

出　　处：《美学与艺术评论》2023年第2期184-194,231,共12页Journal of Aesthetics and Art Review

基　　金：成都大学文明互鉴与“一带一路”研究中心一般项目“‘一带一路’背景下莱恩·考斯基马数字文学理论在中国的接受与传播”(项目编号:WMHJ2021C03)阶段性研究成果。

摘　　要：作为艺术活动的载体,媒介属性和媒介变迁对于艺术特征、艺术发展等具有重要影响。基于媒介视角,跨艺术比较研究并不局限于不同艺术形式之间的简单比附,也蕴含着媒介转换、互补、互动等活动。就电影艺术而言,自诞生之日起便不断与其他艺术形式进行比较,以寻找电影的同源或者前身。其中,文学与电影之间的比较研究展现了电影研究由视觉化转向文本化的过程,展示了艺术交流过程中的媒介互动,促成电影语言、电影符号、电影阅读等新理论的建构与发展,体现了比较艺术学的跨学科、跨艺术、跨视域等跨越性特征。As a part of artistic activities,media attributes have an important impact on the characteristics and development of artistic.Based on a media perspective,cross-art comparative research is not limited to simple comparisons between different art forms,but also encompasses activities such as media transformation,complementarity,and interaction.Since its inception,film has been continuously compared with other forms of art in order to find their origins or predecessors.The comparative study between literature and film demonstrates the process of film research shifting from visualization to textualization,reflecting the media interaction and function in the process of artistic communication,promoting the construction and development of new theories such as film language,film symbols,and film reading,and reflecting the interdisciplinary,artistic,and cross visual characteristics of comparative art.

关 键 词：比较艺术学 文学与电影 电影语言 电影文本 电影阅读 

分 类 号：J905[艺术—电影电视艺术] I0-05[文学—文学理论]