全球化时代世界文学面临的困境与解读范式  

The Predicaments and Interpretive Paradigms of World Literature in the Age of Globalization

作　　者：陈书平 CHEN Shuping

机构地区：[1]华侨大学外国语学院,福建泉州362021

出　　处：《海峡人文学刊》2024年第1期66-76,158,共12页Journal of Humanities Across the Straits

基　　金：广东省哲学社会科学规划青年项目“弗兰克·莫莱蒂的跨学科理论与实践研究”(GD21YWW01);华侨大学高层次人才科研启动项目“弗兰克·莫莱蒂文学理论研究”(23SKBS002)。

摘　　要：作为一个命名多样、内容纠缠且演化复杂的概念和学科,世界文学在国内外语境中不断遭遇本体论困境和方法论难题。具体表现为,“文学”内涵的多义性、“世界”外延的流动性、翻译的“焦虑”和学科定位的模糊。在21世纪初,达姆罗什、卡萨诺瓦和莫莱蒂作为世界文学研究的三位代表人物,分别提出了“椭圆折射”理论、“文学世界共和国”设想和“世界文学猜想”。他们从不同的面向和维度回应了世界文学面临的困境,为世界文学贡献了多元的理论视角和实践路径,共同构成了全球化时代世界文学研究的三种解读范式。As a concept and discipline with diverse names,intertwined contents and complex evolution,world literature constantly encounters ontological predicaments and methodological problems in domestic and international contexts:The polysemous connotation of “literature”,the fluid denotation of “world”,the “anxiety” of translation and the ambiguity of disciplinary orientation.At the beginning of the 21st century,David Damrosch,Pascale Casanova,and Franco Moretti,as three representatives of the study of world literature,put forward the theory of “Elliptical Refraction”,“World Republic of Letters” and “Conjectures on World Literature” respectively.They respond to the predicaments of world literature from different dimensions,and contribute multiple theoretical perspectives and practical approaches to world literature,which together constitute three interpretive paradigms of world literature in the era of globalization.

关 键 词：世界文学 全球化 达姆罗什 卡萨诺瓦 莫莱蒂 

分 类 号：I02[文学—文学理论]