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Prologue

作　　者：吴春花 Wu Chunhua

机构地区：[1]《建筑技艺》(AT)

出　　处：《建筑技艺》2023年第11期4-4,共1页Architecture Technique

摘　　要：文化,从来都是抽象的,但又常常是具体的。尤其对于考古学来说,同一历史时期遗迹和遗物的集合作为某一特定文化的产物,共同表征着这种文化。提及三星堆遗址,竖眼立耳似笑非笑的青铜面具、环握巨手衣着华服的立人、节节攀升神龙飞腾的青铜神树……蜀人的青铜时代如此瑰奇,无不令人惊叹。那么,面对古人生动、丰富、独特的文化表达,应该以怎样的当代建筑语言去联结、承载、传达这种文化内核,是至关重要的。本期“AT建筑”特别探访近期建成开放的三星堆博物馆新馆,将从“基于文化意象的建构”视角出发,回溯并展现建筑师从概念捕捉到意图表达的设计历程。Culture has always been abstract, but it is also concrete. When it comes to theSanxingdui ruins site, the bronze age of the Shu people is so magnificent and astonishing.So, when facing the vivid, rich, and unique cultural expressions of ancient people, itis significant to use contemporary architectural language to connect, carry, and conveythe cultural core. In this issue of "AT Special", we have visited the newly built andopened Sanxingdui Museum New Hall, and will showcase the design process from conceptcapture to intention expression starting from the perspective of "Tectonics FromCultural Image".

关 键 词：青铜时代 青铜面具 青铜神树 三星堆遗址 文化内核 三星堆博物馆 文化意象 考古学 

分 类 号：TU201[建筑科学—建筑设计及理论]