元文学的滥觞、流变与美学共性研究  

Studies of Meta-literature:Origins,Evolution and Aesthetic Similarities

作　　者：赵晓彬[1] 张珉 ZHAO Xiao-bin;ZHANG Min

机构地区：[1]哈尔滨师范大学斯拉夫语学院,哈尔滨150025

出　　处：《北方论丛》2024年第2期91-100,共10页The Northern Forum

基　　金：国家社科基金项目“什克洛夫斯基文艺理论与批评范式研究”(21BWW001)。

摘　　要：元文学现象的出现可追溯到古希腊时期,历经数千年之久的创作积淀,直至20世纪下半叶,“元文学”这一概念才被真正地提出和思考。当今,随着人文科学的日益发展,文学界迫切需要对元文学及其相关理论进行深入探讨和系统研究。通过对元文学的起源与发展追本溯源,对元文学的概念进行释义,阐明元小说、元戏剧、元诗和元批评这四种文学样式所具有的自我指涉、自我解构与反思现实等美学共性,以此深化理解元文学内部理论规律。The phenomenon of meta-literature can be traced back to ancient Greece.After thousands of years of creative accumulation,the concept of“meta-literature”was really put forward and thought about in the second half of the 20th century.Nowadays,with the development of humanities,it is urgent for literary circles to conduct in-depth discussion and systematic research on meta-literature and its related theories.By tracing the origin and development of meta-literature,this paper explains the concept of meta-literature,and expounds the aesthetic commonalities of self-reference,self-deconstruction and reflection on reality in these four literary styles,so as to deepen the understanding of the internal theoretical laws of meta-literature.

关 键 词：元文学 自我指涉 自我解构 反思现实 

分 类 号：I0[文学—文学理论]