黄药眠文艺思想的内在逻辑  

The Inner Logic of Huang Yaomian’s Literary Thought

作　　者：周小仪 Zhou Xiaoyi

机构地区：[1]广东外语外贸大学南国商学院

出　　处：《中国文艺评论》2024年第2期90-100,I0003,共12页China Literature and Art Criticism

摘　　要：自2003年黄药眠先生诞辰100周年纪念会以来,黄药眠文艺思想研究在中国学界取得了长足进展。但相比于对朱光潜和李泽厚等美学家的研究,学界对黄药眠理论的当代意义仍然评价不足。几十年来,随着全球化进程不断深入,为我们带来了新的生活体验、文化视野和理论框架。黄药眠文艺思想也不断显示出新的意义。本文从存在论、主体论和阶级论三个方面对黄药眠理论进行归纳,以期理解黄药眠文艺思想的内在逻辑。他的实践哲学、能动主体和复杂的阶级论,对我们今天的文艺理论建设仍然具有引领作用。Since the centennial celebration of Huang Yaomian’s birth in 2003,Huang studies have made great progress in China’s academia.However,compared with the studies of the aesthetes such as Zhu Guangqian and Li Zehou,the contemporary significance of Huang’s theories is still underrated by the academic community.The deepening globalization over the decades has brought us new life experiences,cultural horizons and theoretical frameworks.Huang Yaomian’s literary thought also continues to manifest new significance.This essay summarizes Huang’s theories from three aspects,namely existence,subjectivity and class,with a view to understanding the logic of Huang’s thought.His philosophy of praxis,subject in action and complex class theory still have a leading role to play in our literary theory today.

关 键 词：文艺理论 黄药眠 全球化 主体性 阶级 

分 类 号：I06[文学—文学理论]