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作 者:郑晨雨 林翰羽 Zheng Chenyu;Lin Hanyu(Shangrao Preschool Education College,Shangrao 334000,China)
机构地区:[1]上饶幼儿师范高等专科学校,江西上饶334000
出 处:《纺织报告》2024年第2期78-80,共3页
基 金:2021年江西省高等学校教学改革研究项目“新工科背景下服装结构课程教学改革”阶段性成果(JXJG-21-26-1)。
摘 要:从美学角度来看,音乐艺术与舞台服装设计都具有较高的研究价值,二者存在相互作用和互补的关系。随着音乐风格和内涵的变化,舞台服装也要进行创新性设计,以适应音乐所营造的氛围。舞台服装的创新也为音乐的艺术表现形式增添了新的元素。基于此,文章聚焦美学视域下音乐艺术与舞台服装设计的契合性问题,首先论述了舞台服装设计的概念,其次探讨了音乐艺术在舞台表演中的关键作用,再次深入分析了舞台服装对音乐艺术的主要影响,最后阐述了二者之间的契合性。From an aesthetic perspective,both music art and stage clothing design have high research value,and there is a interreaction and complementary relationship between the two.With the changes in music style and connotation,stage clothing also need to be innovatively designed to adapt to the atmosphere created by music.The innovation of stage clothing has also added new elements to the artistic expression of music.Based on this,this paper focuses on the compatibility between music art and stage clothing design from an aesthetic perspective.Firstly,the concept of stage clothing design is discussed,followed by an exploration of the key role of music art in stage performance.Then,the main impact of stage clothing on music art is analyzed in depth,and finally,the compatibility between the two is elaborated.
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