世界文学语境中漫谈木心和情诗  

Mu Xin and Love Poetry in the Context of World Literature

作　　者：童明 TONG Ming

机构地区：[1]西安翻译学院 [2]美国加州州立大学英语系

出　　处：《广东外语外贸大学学报》2024年第4期25-38,共14页Journal of Guangdong University of Foreign Studies

摘　　要：在世界文学的语境中,作者间插和木心以往对话的片断,探索木心与不同文明中情诗传统的关联,以寻找某些美学规律和特点。木心的情诗属于非主观诗学,其中的“我”并非诗人本人,实为根据情景虚构的各种他者“我”,情欲融汇于灵智;木心的诗艺,将口语方言、文言文、典故、翻译有机混合,吸收希伯来、希腊、古波斯的不同风格,采纳如植物学等现代科学的语汇,所以与世界性情诗传统之间有多维度的奇妙关联。更重要的是,这种诗艺是表达广阔深邃的生命观、宇宙观和历史观的载体。In the context of world literature,with snippets from the author's past conversation with Mu Xin,this article explores Mu Xin's multi-layered connections with love poetry in other civilizations in order to discover some aesthetic laws and characteristics.Mu Xin's love poetry is to be appreciated as"impersonal poetry"in which the"I"is not the author's own person but persona(s)he has created for various dramatic situations that integrate eros into emotions and wisdom.Mu Xin's poetic style is a synthesis of conversational and classical Chinese,and foreignness from translations;it has absorbed different styles from the Hebraic,Hellenic and Persian traditions,and has borrowed from the vocabulary of modern sciences such as botany,thus showing multi-dimensional connections with traditions from the world.More importantly,his poetic style is the expressive vehicle of profound visions of the infinite universe,life and history.

关 键 词：世界文学的情诗传统 非主观诗学 情欲和灵智 古波斯情诗 希伯来情诗 现代诗 

分 类 号：I712.06[文学—其他各国文学]