神话“母题”视域下的贵州苗族纹样文化研究  

A Study of Miao Pattern Culture in Guizhou from the Perspective of Mythological "Motif"

作　　者：李炜彦 周梦[1] LI Weiyan;ZHOU Meng(School of Fine Arts,Minzu University of China,Beijing,100000,China)

机构地区：[1]中央民族大学美术学院,北京100000

出　　处：《文化创新比较研究》2024年第3期97-103,共7页Comparative Study of Cultural Innovation

基　　金：国家社科基金艺术学项目“基于贵州苗族女性传统服饰技艺的创新设计研究”(项目编号:19BG120)阶段性研究成果。

摘　　要：“母题”的概念在民间故事文学术语中可界定为“情节单元”,在苗族叙事文学中,母题可分为“创世母题”“战争母题”“迁徙母题”三大情节单元。在“母题”视域下的贵州苗族纹样多以“神话”“传说”“历史”“宗教”作为图案的造型内核,也是图案内涵叙事的根本。苗族纹样是苗族人长期积累的民族意识的一种文化表述,在装饰性符号意义的基础上又具有文化属性。苗族纹样文化作为符号被文化持有者所感知,这是他们族群认同的重要组成部分。这些纹样不仅是装饰,更是一种历史的传承和文化的表达,使得苗族文化得以传承和发展,也使得苗族区别于其他族群,形成独特的文化意象。The concept of"motif"can be defined as"plot unit"in folk story literature terms.In Miao narrative literature,the motif can be divided into three plot units:"creation motif","war motif"and"migration motif".In the view of"motif",Miao patterns in Guizhou mostly take"myth","legend","history"and"religion"as the core of pattern modeling,which is also the fundamental of pattern connotation narration.Miao pattern is a kind of cultural expression of Miao people's long-accumulated national consciousness,which has cultural attributes on the basis of the meaning of decorative symbols.Miao pattern culture is perceived by culture holders as a symbol,which is an important part of their ethnic identity.These patterns are not only decoration,but also a kind of historical inheritance and cultural expression,so that the Miao culture can be inherited and developed,but also make the Miao people different from other ethnic groups,forming a unique cultural image.

关 键 词：神话 传说 “母题” 贵州苗族 纹样 文化 

分 类 号：TS935.1[轻工技术与工程]