中西诗学中的“兴”与“迷狂”  

"Xing"and"Mania"in Chinese and Western Poetics

作　　者：刘璇[1] LIU Xuan(Liaoning Normal University,Dalian Liaoning,116081,China)

机构地区：[1]辽宁师范大学,辽宁大连116081

出　　处：《文化创新比较研究》2024年第6期10-13,共4页Comparative Study of Cultural Innovation

基　　金：辽宁省社会科学规划基金青年项目“唐前文论核心概念在英语世界的翻译与阐释研究”(项目编号:L21CZW001)。

摘　　要：“兴”作为中国传统诗学思想中最为关键的概念之一,与西方诗学思想中的“迷狂”有着跨越语言文化的多维契合性。中国诗学中的“兴”经历了从巫乐舞一体的艺术形态到“即物起兴”的诗学观念的演变,诗之“兴”是心与物相互感应的重要媒介,也是外物触发情感而生成诗歌的活泼生命体验。西方诗学中的“迷狂”同样经历了从“通灵而感”到“写神喻意”的意义转折,以酒神精神为内核的“迷狂”是最绝妙而原始的诗,也是西方悲剧文学与诗歌艺术形态的原初象征。超越“中西”之别,“兴”与“迷狂”的深层共鸣再次印证了中西诗学的互通性。"Xing"as one of the most crucial concepts in traditional Chinese poetics,has a multidimensional compatibility with"Mania"in Western poetics that transcends language and culture.The concept of"Xing"in Chinese poetics has evolved from an artistic form that integrates with witchcraft,music and dance to a poetic concept that"touched by thins"."Xing"in poetry is an important medium for the mutual induction between mind and things,and also a lively life experience that generates poetry through the triggering of emotions by external things.The"Mania"in Western poetics has also undergone a turning point from"inspired sensation"to"writing God as metaphors"."Mania"with the spirit of the God of Wine is the most exquisite and primitive poem,and it is also the original symbol of Western tragic and poetic art.Beyond the distinction between China and West,the deep resonance between"Xing"and"Mania"once again confirms the interconnectedness of Chinese and Western poetics.

关 键 词：兴 迷狂 仪式 诗学 比较 会通 

分 类 号：I052[文学—文学理论]