《挪威的森林》的现代性书写  

The Modernity Writing of Norwegian Wood

作　　者：周杰 ZHOU Jie(School of Asian Studies,Chongqing Institute of Foreign Studies,Chongqing 401120,China)

机构地区：[1]重庆外语外事学院东方语学院,重庆401120

出　　处：《长春师范大学学报》2024年第3期111-115,共5页Journal of Changchun Normal University

摘　　要：在小说《挪威的森林》中,人物对自我身份迷失和追寻的过程体现出鲜明的现代性反思。渡边既想拯救消极悲观的直子,又无法舍弃阳光洒脱的小林绿子。在双线平行的叙事结构中,小说一方面将渡边的精神世界进行细致呈现,另一方面把性格殊异的直子、绿子进行相互对照。村上春树聚焦小说人物在个性与共性、妥协与对抗冲突中的不同表现,书写了20世纪60年代日本现代性的丰富内涵。小说对荒诞世界的书写,表达了反讽的立场,而小说人物理想与现实的巨大差距也为反思日本20世纪60年代文化提供了新的启发。In Norwegian Wood,the characters are confused and searching for their own identities,reflecting a distinct reflection on modernity.Watanabe wants to save the negative and pessimistic Naoko,but he can’t give up the cheerful and unrestrained Kobayashi Midoriko.In the double-line parallel narrative structure,the novel on the one hand presents Watanabe’s spiritual world in detail,and on the other hand,it also contrasts Naoko and Midoriko,who have different personalities.Haruki Murakami focuses on the different expressions of the characters in the novel in terms of individuality and commonality,as well as compromise and confrontation,and presents the rich connotation of Japanese modernity in the 60s of the 20th century.In addition,the gap between ideal and reality in fiction is examined through the art of irony,which provides new inspiration for the reflection of“modernity”.

关 键 词：《挪威的森林》 村上春树 现代性 反讽 

分 类 号：I313.074[文学—其他各国文学]