甘孜藏族自治州寺庙壁画绘制方法及风格分析  

An Analysis on Methods and Styles of Mural Painting inTemples of Ganzi Tibetan Autonomous Prefecture

作　　者：周韬[1] Zhou Tao(Sichuan Minzu College,Kangding,Sichuan 626001,China)

机构地区：[1]四川民族学院,四川康定626001

出　　处：《四川民族学院学报》2024年第1期94-101,共8页Journal of Sichuan Minzu College

基　　金：四川民族学院人文社科一般项目“甘孜藏族自治州4A级景区墙绘艺术研究”(XYZB2028SB)。

摘　　要：甘孜州寺庙壁画从属于卫藏地区壁画风格体系,16世纪形成于康巴地区的“噶玛嘎孜画派”唐卡绘画对本地区寺庙壁画产生影响。本文在分析传统寺庙墙面制作、壁画绘制的基本方法前提下探究卫藏地区传统寺庙壁画风格,以及在秉承传统绘画技法中形成的“噶玛嘎孜画派”唐卡画与壁画平行发展相辅相成的纽带关系;梳理甘孜州寺庙壁画现状以及发展趋势,有助于形成壁画技法传承、风格演变脉络的理性认知,建立壁画图像价值判断的客观依据,并在此基础上进行科学保护。The mural painting in temples of Ganzi Prefecture are subordinate to the mural style system of the Weizang area,and the"Karmagazi School"Thangka painting formed in the Kham region in the 16th century has an impact on the temple murals in the region.Under the premise of an anlysis on the basic methods of traditional temple wall making and mural painting,this paper explores the traditional temple mural style in the Weizang area,as well as the relationship between the parallel development of the“KarmaGazi School”Thangka and the mural painting formed in the traditional painting techniques.Sorting out the current situation and development trends of mural paintings in temples of Ganzi Prefecture will facilitate a rational cognition of the heritage of mural techniques and the evolution of styles,and establish an objective standard for the value judgment of mural images so as to scientifically protect them.

关 键 词：壁画 绘制方法 风格 卫藏 甘孜州 

分 类 号：J218.6[艺术—美术]