四川地区汉代乐舞俑形态阐释与审美意识  

A Study on the Aesthetic Consciousness and the Interpretation of Sculptured Figurines about Female Musicians of Sichuan in the Han Dynasty

作　　者：杜兰朵 郭瀚繁 Du Lan-duo;Guo Han-fan(Yunnan Arts University,Kunming,Yunnan 650500,China)

机构地区：[1]云南艺术学院,云南昆明650500

出　　处：《四川民族学院学报》2024年第1期102-108,共7页Journal of Sichuan Minzu College

基　　金：2021年国家社科基金艺术学青年项目“先秦舞蹈审美意识研究”(21CE183)。

摘　　要：乐舞俑是汉代俑文化的重要部分,它以雕塑这一艺术语言表现两汉时期乐舞内容,展示出背后蕴藏的两汉乐舞文化与社会活动风貌。四川是汉代俑像出土的重要地区,其乐舞俑更是别具炉锤,彰显了蜀地丰厚灿烂的文化,为研究两汉乐舞文化提供了重要物证。本文以四川地区的汉代乐舞俑为主要研究对象,探究在汉代历史大背景下,四川地区乐舞俑像之艺术形态特征及其背后所蕴含的蜀地人民审美意识。The figurine art of female musicians is an important part of the figurine culture in the Han Dynasty,which showed the beauty of musical dancers of that time,in form of sculpture,and implied the culture of musical dancing and the features of social activities.Sichuan is an important area,where many sculptured figurines of musical dancers with different images from the Han Dynasty were unearthed.These unusual figurines show the rich and splendid culture of Sichuan and provide the important material evidence for the relevant study on the culture of musical dancing in the Han Dynasty.This paper mainly explores the images and features of Sichuan sculptured figurines about female musicians in the context of the history of the Han Dynasty,revealing the aesthetic consciousness of the people in Sichuan.

关 键 词：四川地区 汉代乐舞 乐舞俑 审美意识 

分 类 号：J7[艺术—舞蹈]