中华优秀传统文化的审美与传承——湘南瑶族“坐歌堂”仪式的表演艺术  

Aesthetics and Inheritance of Excellent Chinese Traditional Culture:Performing Arts of“Sitting in a Song Hall”Ceremony of Yao Ethnic Group in Southern Hunan Province

作　　者：李巧伟 LI Qiaowei(Music College,Changsha University,Changsha Hunan 410022,China;China Conservatory of Music,Beijing 100101,China)

机构地区：[1]长沙学院音乐学院,湖南长沙410022 [2]中国音乐学院,北京100101

出　　处：《长沙大学学报》2024年第1期7-13,共7页Journal of Changsha University

基　　金：湖南省哲学社会科学基金重大项目“瑶族史诗《盘王大歌》收集、整理与研究”,编号:21ZDAJ011。

摘　　要：“坐歌堂”是湘南阳明山系瑶族聚居区的一种民间习俗,作为口头表演艺术,具有固定的程序、套语、比喻性的语言、平行关系、对表演的否定等口头表演艺术特点及中华优秀传统文化的审美特征。瑶族民众乐观、坚毅、勇敢、讲道德、尊道德、守道德的伦理精神,以及高度的文化认同感通过这种表演得以延续,受道德支配的社会结构在很大程度上通过表演以艺术的方式得以实现。保护和弘扬“坐歌堂”文化,对促进中华优秀传统文化的审美与传承,建设瑶族现代文明具有重要价值。“Sitting in a Song Hall”is a folk custom in the Yangmingshan Yao ethnic community of southern Hunan Province.As an oral performing art,“Sitting in a Song Hall”has the performing features of fixed procedures,cliches,metaphorical language,parallel relationships,and negation of performance and aesthetic characteristics of excellent Chinese traditional culture.The ethical spirit of optimism,perseverance,bravery,morality,respect for morality,and moral integrity among the Yao people,as well as a high level of cultural identity,is sustained through this performance.The social structure dominated by morality is also largely achieved through performance.Protecting and promoting“Sitting in a Song Hall”culture is of great value for promoting the aesthetics and inheritance of excellent Chinese traditional culture and building modern civilization of the Yao nationality.

关 键 词：“坐歌堂” 口头表演 套语 社会结构 

分 类 号：J607[艺术—音乐] G127[文化科学]